In 1936 Stephen Faith, a young student, goes to Spain to teach English to Pablo, the seventeen-year-old son of the Mayor of Zahara de los Membrillos, and he finds himself falling in love with his pupil’s older brother. The beginning of the Spanish Civil War, however, interrupts this idyllic period of his life; Pablo is murdered and his brother, the leader of a group of daring Anarchists, inflicts a horrible revenge. Increasingly Stephen becomes involved in events outside his control as Zahara is besieged by the Fascists; on the wrong side of the lines eventually, he is deserted by his lover, tortured, and sentenced to death. His escape from prison is the exciting climax to this immensely readable, fast-moving story of love, war, betrayal and murder. It is without doubt the finest novel David Rees has written.

When Archie goes in search of his missing son, Arden, in the Spanish Canary Islands, he stumbles upon a higher mission: to save his ailing fourteen-year-old granddaughter, Ella. Using a portal-jumping device called the Tillastrion, Archie and a strange creature, a Bangol named Zeno, are transported—along with a cruise ship full of people, including Ella and her mother, Tessa—to a magnificent yet terrifying island in another realm, a place called Jarr-Wya, where Archie hopes to locate Ella's cure. On Jarr-Wya, the Bangols battle the Olearons—creatures made of fire—and the evil Millia sands for control of Jarr-Wya. When Ella is captured by the Bangols, her wit and resourcefulness emerge as she fights against all odds, and against all manner of creatures, to survive. Meanwhile, Tessa, must confront her long-buried secrets, broken marriage, and a confusing new love triangle, all while navigating the mysterious island in search of her daughter. And unbeknownst...

After twenty years of marriage Blanche Vernon is alone; abandoned by her husband Bertie for a childishly demanding computer expert named Mousie. While Blanche finds this turn of events baffling, she feels that Bertie must have left her because of her overly sensible demeanor. Yet many of their mutual friends disagree. In fact, Blanche has come to be regarded as undeniably eccentric--making elliptical remarks that no one knows how to read, and chatting at great length about characters in fiction. She resolutely fills her unwanted hours with activities, maintaining her excellent appearance, drinking increasingly more wine, and, in an attempt to turn her energy to good works, becoming severely enmeshed in the life of a disordered young family.

In an ambitious departure from her usual form, Anita Brookner expands her canvas in Family and Friends to create a richly textured novel about the life of a wealthy Jewish family in London, focusing on the generation that came to maturity between the two World Wars. Presiding over the Dorn household is the formidable Sofka, an elegant and circumspect widow who watches as her four children find their way into adulthood. Frederick, the sybaritic eldest son, escapes to the comforts of the Riviera while stern, dutiful Alfred runs the family business adn burns with unrealized longings; Betty--pleasure-loving, vain, and selfish--makes her ambitious way from Paris to Hollywood, leaving her dreamy, passive sister Mimi to languish at home. A brilliant social novel of lost innocence and the complex nature of family bonds, Family and Friends meticulously portrays the emotional cost of everyday life.

This clear and concise new introduction examines all the major debates and issues in the field of art history, using a wide range of well-known examples. Dana Arnold also examines the many different ways of writing about art, and the changing boundaries of the subject of art history.Other topics covered include the canon of art history, the role of the gallery, "blockbuster" exhibitions, the emergence of social histories of art (such as feminist art history or queer art history), and the impact of photography. The development of art history using artifacts such as the altarpiece, the portrait, or pornography to explore social and cultural issues such as consumption, taste, religion, and politics is discussed. And the book also explains how the traditional emphasis on periods and styles originated in western art production and can obscure other approaches.

In the course of their developing friendship, Samuel Craddock has learned to accept that his neighbor Jenny Sandstone's personal life is strictly secret. But when her dying mother tells Craddock that Jenny is in danger, he is confronted with a dilemma. He wants to respect Jenny's privacy, but he is haunted by the urgency in the dying woman's voice. When Jenny is the victim of a suspicious car accident, Craddock has no choice but to get involved. He demands that she tell him what he needs to know to protect her and to solve the mysteries surrounding the strange events that began taking place as soon as Jenny's mother passed away. Forced to confront the past, Jenny plunges into a downward spiral of rage and despair. She is drinking heavily and seems bent on self-destruction. Craddock must tread lightly as he tries to find out who is behind the threats to her. But only by getting to the bottom of the secrets buried in Jenny's past can he hope to save her both from...

In the fourth Railroad Semantics collection, Aaron takes you along on an epic train journey through desolate stretches of Wyoming, Colorado, and Utah. His personal accounts of train hopping are paired with newspaper clippings, photos, rail yard graffiti, and ephemera to fill in the story. In this volume, Aaron survives encounters with police, railroad workers, and hipsters posing as hobos. He drinks under overpasses, is injured alone in the desert, and even takes a legitimate, ticketed Amtrak ride.

Acting Police Chief Samuel Craddock investigates the murder of a visiting physician, whose mangled body is found in the woods.When Lewis Wilkins, a physician with a vacation home in Jarrett Creek, is attacked by vicious dogs, and several pet dogs in the area around Jarrett Creek disappear, Police Chief Samuel Craddock suspects that a dog fighting ring is operating in his territory. He has to tread carefully in his investigation, as lawmen who meddle in dog fighting put their lives at risk. The investigation is hampered because Wilkins is not a local. Craddock's focus on the investigation is thrown off by the appearance of a new woman in his life, as well as his accidental acquisition of a puppy. Digging deeper, Craddock discovers that the public face Wilkins presented was at odds with his private actions. A terrible mistake led to his disgrace as a physician, and far from being a stranger, he has ongoing acquaintances with a number of county residents...

Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling.The latecomers are Hartmann and Fibich, brought over to England as children to escape Nazi Germany, now living close to each other in London in their 60s, and still friends. Yet they could not be more different, each having adopted different strategies to reconcile themselves with their past and to cope with an uncertain world.

The Curse of the Boyfriend Sweater is a memoir about life truths learned through crafting. People who craft know things. They know how to transform piles of yarn into sweaters and scarves. They know that some items, like woolen bikini tops, are better left unknit. They know that making a hat for a newborn baby isn’t just about crafting something small but appreciating the beginnings of life, which sometimes helps make peace with the endings. They know that if you knit your boyfriend a sweater, your relationship will most likely be over before the last stitch. Alanna Okun knows that crafting keeps her anxiety at bay. She knows that no one will ever be as good a knitting teacher as her beloved grandmother. And she knows that even when we can’t control anything else, we can at least control the sticks, string, and fabric right in front of us. Okun lays herself bare and takes readers into the parts of themselves they often keep hidden. Yet at the same time she finds humor in the daily indignities all crafters must face (like when you catch the dreaded Second Sock Syndrome and can’t possibly finish the second in a pair). Okun has written a book that will speak to anyone who has said to themselves, or to everyone within earshot, “I made that.”

British art historian Jonathan Argyll is in sunny Los Angeles conducting some profitable business with the Moresby Museum. Then the museum's owner is murdered and a Bernini bust disappears. And while awaiting the arrival of his friends from the Italian National Art Theft Squad, Jonathan finds himself targeted by the killer... From Publishers Weekly Jonathan Argyll, Pears's ( The Titian Committee ) endearingly incompetent British art historian and art dealer in Rome, falls into a large sale of a lesser Titian--with a hitch: he must take the oil painting to the private Moresby museum in L.A. without so much as a down payment. The museum lives up to its nouveau reputation, having a collection without focus, a curator with grandiose plans and some Moresby family members with personal agendas sniping at the budget. Jonathan and amiable but dodgy art dealer Hector di Souza are invited to a party to celebrate Moresby's commitment to the Big Museum, otherwise known as "the BM." As the acquisition of a lost Bernini bust of Pope Pius V is announced, di Souza is visibly distressed; moments later Moresby is dead and di Souza and the bust have disappeared. Jonathan calls his old love in Rome, Flavia de Stefano of the Italian National Art Theft Fund, to report on the smuggled and now missing bust and moments later just escapes being killed. Flavia, connecting the bust to an old war story involving some of the suspects, flies to L.A. and, joined by an Italian LAPD cop, tries to get Jonathan out of trouble, the killer in jail and the bust back to Roma. With sharply etched characters and art world lore, Pears's latest tale is a lark in grand British style.

Michelangelo Merisi da Caravaggio lived the darkest and most dangerous life of any of the great painters. The worlds of Milan, Rome and Naples through which Caravaggio moved and which Andrew Graham-Dixon describes brilliantly in this book, are those of cardinals and whores, prayer and violence. On the streets surrounding the churches and palaces, brawls and swordfights were regular occurrences. In the course of this desperate life Caravaggio created the most dramatic paintings of his age, using ordinary men and women - often prostitutes and the very poor - to model for his depictions of classic religious scenes. Andrew Graham-Dixon's exceptionally illuminating readings of Caravaggio'spictures, which are the heart of the book, show very clearly how he created their drama, immediacy and humanity, and how completely he departed from the conventions of his time.